That images of roads, whether composed
With its lament, it often sounds, instead,
Of observation lying on the ground
Late February, and the air's so balmy
But what I am looking at is hardened snow,
Père and Mère Chose could be in conversation
Still has to be intoned, as in a lonely
to matter, for the flushed boys are muscular
giddy as good kids playing hookey. Now,
Against this sky no longer of our world.
With sun's warmth wasted on a stone,
What can we know of whatever picture-plane
That images of roads, whether composed
Wind, sleet. The branches sway,
The edge of that other square cut from the right
A frame of glided twilight—I
In Winter Haven, the ballplayers are stretching
Winds blow sharp, what then?
Choces, Mère and Père, undreaming even of fields
With its lament, it often sounds, instead,
Of observation lying on the ground
Late February, and the air's so balmy
But what I am looking at is hardened snow,
Père and Mère Chose could be in conversation
Still has to be intoned, as in a lonely
to matter, for the flushed boys are muscular
giddy as good kids playing hookey. Now,
Against this sky no longer of our world.
With sun's warmth wasted on a stone,
What can we know of whatever picture-plane
That images of roads, whether composed
Wind, sleet. The branches sway,
The edge of that other square cut from the right
A frame of glided twilight—I
In Winter Haven, the ballplayers are stretching
Winds blow sharp, what then?
Choces, Mère and Père, undreaming even of fields
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